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    ABRSM layal Academy of Music Reyal College of Music Royal Northern College of Music Royal Scettlish Academy of Music and Drama The Associated Board of the Royal Schools of Music This is t0"certify that' 疆凋 Trinity College London Chiu 1114 has been cxamined in is awarded the Music Performance Level 6 Diploma in Music Theory Licentiate of Trinity College London LMusTCL Piano and having fulfilled the requirements of the syllabus -is hereby admittid a FELLOW OF THE ROYAL SCHOOLS OF MUSIC The certificate holder has been awarded 180 credits for the following QCF units: Level 6 Musical Skills and Stylistic Development (R/502/6976)-180 credits Hong Kong Music Centre Certificate issued Sarah Kemp Chiet Executive Trinty College Landon Patron The Duke o! Kent KG Lord Sutherland of Houndwood KT Chairman of the Board G R Perricone Chief Executive Level and ered ts、refer to the Quatatons and Credit Framework in England, Wales and Northem reland Ofqual ADRSM·26 Portland Place, LMdse, w1B 1L text
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    TRINITY Examination Report is not a certificate COLLEGE LONDON ATCL Recital (Piano),Unit 1 Piano Recital ATCL Centre: Hong Kong Music Centre (286) Candidate name: Candidate ID:1-359536287 an¢ accurate performance which demonstrated ๑mpathy with the musikcal style of and awareness of the techniques. Tonal balance was good and the melody well shaped melody, with pedaling showing awareress of the harmony The sonata was payed - jdged teo ith some nmble fingerwork and a good leval of viality. the nusical centexrt and idion understoed but sone dynamic would have eshanced the overal effect and betber utilised the o understeod and the performance was playedt -jdged tempo, commanicating much nf the intemuty of the composers wting There wan a good leveil of tonal depth and resonance, consistency of tona baluance and effective use A controled and atmosgheric pertormance, with well voiced chords and a centrolled dynamk bud up which reflected the overal structure plece Delas wore well oboerved text
    TRINITY Examination Report This is not a certificate COLLEGE LONDON cander fec tal Piano), Unit 1 Piano Recital ATCL Centre: Hong Kong Music Centre (286) Candidate name Candidate ID: 1-140630385 Programme per as -sbee nでd ~i..d ..- nful.:ぺー' ee c ..- | 3-: ouows as, 60 메stincton eo Ove-ai, atta,.mw.nares ar. niner signature rwing Examiner signature  text
    Subject PIANO Grade 8 Marks 30 1201 0 30 120 28 V Scales and arpeggios f 21 1141 Sight-reading 9 1 (74 /6 18 112 Total 4o Additional comments if needed Maximum IPassl 150 11001 Pass Merit Distinction 100 120 130 This form records the result of an exam held on: 25/ Apr /2015 E Examiner code 590 acated Board st the Rayal Scheets af Music A company registered wish limited liabity in Engand and wales N ff 2a PrtandPlace ande Wa tu Telphone 44 0i20 743 5400 Emal atrunguirom.aci 88DB.com Charity reered in England&Wars 1292182&cotiand 150343343  text
    EXAMIN AtIo ARK TOR ASSOCIATED BOARD ETHE ROYAL SCHOOLS OF MUSIC 8  text
    THEORY EXAMS[JUNE 20121 GRADE 8 樂理考試 2012年6月]第八級 Paper 2012 ABRSM T NO128 THEORY EXAMS I JUNE 20141 GRADE 8 樂理考試( 2014年6月]第八級 S Poper 201 ABRSM THEORY EXAMS (JUNE 20161 GRADE 8 41163 理考試1 2016年6月1第八級 ABRSM 15 ND 4093 16 15 15 THEORY EXAMS I OCTOBER 2016 1 GRADE 8 樂理浙試[ 2016年10月1第八級 25 21 Maximum Mark matkawarded 15 13 ABRSM 15 13 25 23 20 16 TND , 42451 THEORY EXAMS JUNE 2017) GRADE 8 ABRSM 10 25 25 21 樂理考試(2017年6月1第八級 R PAPER 2317 mark warded 15 10 THEORY EXAMS ( JUNE 2018 1 GRADE 8 整理考試12018年6月1第八級 B PAPER 2018 ABRSM 15 ark awarded ǐ分 1 褥牙 5 13 25 24 APPLİCANT NC, 41275 17 NAME DF CANDIDATE CANDIDATE NO 25 23 Maxinum Mark Question matk awarded 1. Compieting the vialin parts in an extract from a trio sonata by Corelli 20 14 25 24 15 13 完t&柯賴뛰三重奏斗鳴曲選段約小提琴聲械 23 2g an extract trom a piano piece by Haok 100 15 86 完成,,鋼琴曲的選段 a melody for either cella or clarinet using one af the given openings 20 15 根據指定開端為大提琴或單簧管寫作旋律 4 Questions on an extract from a piano sonata 25 25 87 與鋼琴奏鳴曲選段相關的 5 product,design,font,
    ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC GRADE 5 THEORY EXAMINATION 樂T? ABRSH THEORY EXAMINATIONS CT 2004 ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MU AWARDED ㎜ORY EXAMINATION-OCTOBER 5 GRADB 5 第五級積分表 ro ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC AWARDED 所得分數 GRADE 5 THEORY EXAMINATION -OCTOBER 2005 B PAPER 2205 MARK AWARDED ABRSM GRADE 5 THEORY EXAMINATION FEBRUARY 2010 樂理考蒔 T PAPER 2010 - THEORY EXAMS [OCTOBER 2011 1 GRADE 5 樂理考試( 2011年10刖第五級 B Paper 2013 山 ABRSM 10 NAML uE CANDIDATE CANDIDATE NO. DIST Maxmum Mark mark warded 13 1. Addng bar-lines, rewriting notes im alto C clef, term, narming urnaments and 2. Descrihing melodic imlervals 10. Transposing passage for cleinet in A frnm concer: Isoundingl to written pitch A製覃簧管實際音高樂段,以宏諧晋高重寫 쇠al Terms, indicating part nf chromatic scale, naming key and uiving technical 14 Describing chords, identifying chur d progression, הnd rewriting d'ord in lenurl C clef 描述和弦,辨認和弦迩行,用次中音fif號重寫利弦 4 Ihl u 4 Irl Rewriting part of extrect in no text,product,
    Trinty ats Cuia THE ASSOCIATED SOSİD OF THE ROYAL SCHOos   product
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(銅鑼灣區)全職持FRSM鋼琴兼LMusTCL樂理女師 私授各級鋼琴 樂理 aural 伴奏; Sight-Reading/DipABRSM/LRSM Quick Study

 

cartoon,technology,mode of transport,line art,black and white



AINL,clothing,white,black,black and white,text 

Experienced, bilingual & qualified teacher.
經驗女教師,持有:
 

Holder of all 3 ABRSM Piano Performance Diplomas, including:

*Fellowship of the Royal Schools of Music (FRSM)

每年所有樂器在香港及全球極少人考獲之 英國皇家音樂學院 最高之 鋼琴演奏 院士文憑 

*LRSM in Piano Performance (High Pass)

英國皇家音樂學院 鋼琴演奏 高級文憑

*Advanced Certificate in Piano Performance

英國皇家音樂學院鋼琴演奏高級證書

 *Bachelor of Arts (Hons.) in Music 

大學音樂糸榮譽文學士

 

In Theory of Music:

*LMusTCL, Trinity College London  英國倫敦聖三一音樂學院音樂理論高級文憑

*AMusTCL, Trinity College London  英國倫敦聖三一音樂學院音樂理論肄業文憑

 *ABRSM Grade 8 Theory of Music  英國皇家音樂學院8級樂理證書

-本人的耳朵天生已擁有絕對音準 (absolute pitch),如果學生彈錯音或在Aural 中的 singing tests 唱走音便會立即知道,並加以指導。

Born with absolute pitch.

-曾經教過多位在職鋼琴教師

-精教5級以上。大部分學生現正進修 ATCL 及 LTCL

- 逾15年教學及考試、比賽伴奏經驗。

-With over 15 years of teaching & accompanying experience. 

 有耐心, 細心,盡責。

-Patient and responsible.

-Advice on choosing suitable repertoire for your exams. 


 

本人之FRSM及LMusTCL證書:
  幽 ABRSM The Associated Board of the Royal Schools of Music This us to ccrrafy that Chiiu Trinity College London as been xamuned in Music Performance Piano marded the Level 6 Diploma in Music Theory Licentiate of Trinity College London LMusTCL having fulfilled the requiroments of the syllalus is hereby admitid a FELLOW OF THE ROYAL SCHOOLS OF MUSIC Ofqual | TRINITY ",text,diploma,academic certificate


 

部分學生之鋼琴 Distinction考試成績:

 EXAMINATION MARK FORM ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC Candidate: Subject: ANO Presented by: Grade: Programme Marks opae mbantando ά the 오㊤tJectan convaed anemana end 30 (20) Cotainad uch musical dettal 30 (20) hedare ja uwao proisdta and as Mu 30 (20) Thede weje knouun Q0 and. Scales and Arpeggios or aditional Song 21 (14) Sight Readinghaje u*je. (and Transposition) or Quick Study 21 (14) he o uso (deux anchor a Aural Tests 18 (12) Additional Comments i dona TOTAL Maximum (Pass) 150 (100) Total required to Pass 100 to Pass with Merit to Pass with Distinction 130 120 13, SEP, 2006 This form records the result of an examination held onotand must be produced to accompany any enqu Registered as a Charity No. 292182 A company registered with limited liability in England and Wales No. 1926395 Registered office: 24 Portland Place London W1B 1LU Telephone 020 7636 5400 GEO200 Examiner's reference,text,font,black and white,line,paper Subject PIANO Grade 4 Marks l A 30 (20) 30 (20) wis a V are 27 30 (20) i. The LH Scales and arpeggios or unaccompanied ^o» traditional song yae Ju. well kussn ittle au 21 (14) Sight-reading and transposition] or Quick Study Aural tests 21 (14) l8 18 (12) Additional comments Total j32 Maximum Pass 150 (100) Pass Merit Distinction 100 120 130 This form records the result of an exam held on 21 April 2012 Examiner code T 4-7 1764,text,music,font,handwriting,black and white

 EXAMINATION MARK FORM ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC PIANC Gäde iar 2CcT 5 2 20) tito 0 20) RAS福橡重 3U (20) J) 18 12 OTAL Maximum (Pass) 150.00 Total required to Pass 100 Pass with Merit & Pass with Distinictio ust be produced to accomipany any enqity s appe △Uf1iPanv vegisutred witli brnited liability ndor, w าย ! LL fetepione 0.20 7536 5400 tngiarat and Wales Nc: 1426395 39趙82 Examiner's reference eu,text,font,line,paper,handwritingSubject PIANO Grade-8- Marks 30 1201 30 120 Scales and arpeggios hi.cti. _...イ7얹 , 21 114 21 (14) Aural tests Moty name ~rear)-oo 18 112 Additional comments it neededW do/ Anatau- Total 14o Maximum IPass Pass Merit Distinction 150 11001 100 120 130 This form records the result of an exam held on: 25 Apr /2015 Examiner c 590 The Aociated Soard Charity reered in England&Wairs 0292182&cotiand 15C343343 Regtered afe2 Portand Mace Landen WIB LU Telephone 44 19120 7436 5400 Ema.a,text,handwriting,document,paper,material
 

TRINITY Examination Report COLLEGE LONDON This is not a certificate LTCL Recital Candidate name: I (Piano), Unit 1 - Piano Recital LTCL Centre: Hong Kong Music Centre (286) Candidate ID: 1-634640933 Programme Sarlat Soivatas u at the odet and tril najmiu wel eundnt but not all the duamatic ome dunamuc cond wan a movement and aouth, bt Thien Co-grain ation uds expoucd had some Hexh the and clear vere- A00 CoMeied 000 eut te humaur was ehde Musical Sense Awned aし occa» lon, but. He playng had an enga 20 130 Presentation Skills ee accuvde ard Ling Ctytotcally balanced. Ti Total: /100 Overall attainment bands are as follows: Pass 60, Distinction 80. Mana JaMy Examiner number: Examiner signature: 31 May 2017 ai Reviewing Examiner signature:,text,font,paper,line,line art

TRINITY Examination Report COLLEGE LONDON LTCL Recital (Piano). unit1 Piano Recital LTCL Candidate name Thes is not a certite at Centre Hong Kong Music Centre (286) Candidate ID 1 634636285 ngers were largely in place in Debussy's Hommage à Rameau an for the printed dynamics There was also a tendency to cut long notes short Something of the character that the composer intended was found in th were places where playing was too loud an impressive fortissimo, though there performance Fingers were impressively nimble in the toccata-like passages which open Bach's Chromatic Fantasy and Fugue though again there were slight issues with counting Nevertheless, much of the playing caught the flamboyant mood of the movement There were some tiny moments of untidiness in the fugue, but part-playing was effective and inner parts were carefully balanced and brought to the fore where necessary. The cumulative pow of the music was found w ell in this performa Playing was energetic at the opening of Beethoven's Sonata, Op 31 no, 2 though no tempo change was marked in the score. Playing was often crisp and outgoing here, too, there was a tendency to rush through longer notes or to speed up where The start of the Adagio was also marred by a failure to count the pulse at all rigorously and here, the essential drama of the score was rarely revealed. The menace of the demisemiquaver "drum-beats" and their contrast with the ecstatic dolce melody was rarely hinted at, the performance instead stressing the virtuosity of the arpeggio figures. The final yearning falling second of the melody, had little impact With the brilliance of the opening of the finale, the performance seemed on safer ground and much was delivered effectively, though there was little sense of repose and much seemed determined to stress the louder aspects of the score. There were also sone misreadings and stumbles here. I was a little short on elegance and beauty TechniqueS 23 /30 Fingers were impressively nimble and while technicai control reached the standard easily,text,font,black and white,line,paperPresented by PIANO Grade 8 Subject Marks 30 (20) wtw 30 (20) he wive 30 (20) or 21 (14) Quick study 21 (14) Aural tests 18 (12 Additional comments if needed Yudh indeed Total 13 Maximum (Pass) 150 100) Pass Merit Distinction 100 120 130 This form records the result of an exam held on: 27/Sep/2017 Examiner code: A 39 1639 The Associated oard of the Roal Schools of Musc A company registered with nited liability in Englad &Wales No Charity sEngland &Waes (2971823 and Scotand 50043343 ngisherd  ofice 4 London Wall Place London ECZY SAU Telephone +44 (0120 7636 5400,text,handwriting,document,writing,lineTRINITY Examination Report COLLEGE LONDON ATCL Recital (Piano), Unit 1 - Piano Recital ATCL Candidate name: This is not a certficate Centre: Hong Kong Music Centre (286) Candidate ID: 1-634636293 Preeromme The 'sonarous sound' mentioned in the booklet note was apparent in the performance of Brahms's Intermezzo in A and the yearning mood of the score was found. A few pitches were missed, but much was secure and pedalling was efficient Rubato was applied effectively in an engaging performance Fingers were fast and flexible in the first movement of Haydn's Sonata in E fiat and some phrases were attractively shaped and shaded, but rhythms were often played with much more rubato than would normally expected in this repertoire and the result often sounded over elastic and rather sef-ndulgent. There was a pieasant range of dynamics. An appropriate tempo was found for the Adagio e cantabile and the singing style was found well though there were a number of slips of the fingers in the first section. Though rhythms were largely reasonable, there were some slightly wayward moments and rests were sometimes cut short The darker moods of the minore section mostly made their mark. Some of the arpeggios and scales in the final section were splendidly springy, though there was some significant miscounting one bar having no more than four quavers in it. In the Minuet-Finale there were some expressive moments though further liberties were taken with the pulse to achieve some of these and this rather detracted from its dance-like character The grandeur of the first section of Chopin's Fantaisie Impromptu. was found confidently in a brisk reading, though there were some little losses of contro. The central section was pleasantly soulful. Notes were mostly in place in the final section and finger-brilliance was much in evidence, though the detailed dynamics were often missed and it was often a little louder than suggested by the score. The music was removed from the stand almost before the last chord had died away Copland's The Cat,text,font,black and white,line,paper

 

 

2012-2018年之間部分學生之八級樂理優良(Merit) 考試成績:

THEORY EXAMS I JUNE 20121 GRADE 樂理咢試12012年6月]第八級 Paper 2012 ABRSM THEORY EXAMS I JUNE 20141 GRADE 8 樂理考試12014年6月1第八級 S Paper 20 山 ABRSM matk warded THEORY EXAMS ( JUNE 20161 GRADE 8 樂理考試1 2016年6月)第八級 PAPER 2016 io. 41163 ABRSM O 0R matk awarded 20 16 15 15 THEORY EXAMS 樂理考試[ 2016年10月1第八級 Io OCTOBER 20161 GRADE 8 25 21 Maximum Mark ABRSM 15 13 25 23 20 16 NO4245 THEORY EXAMS I JUNE 20171 GRADE 8 樂理考試12017年6月)第八級 ABRSM 15 10 2 Maximum Mark 20 8 25 22 1567 THEORY EXAMS ( JUNE 20181 GRADE 8 檗理考試[ 2018年6月]第八級 B PAPER 201 15 10 15 11 20 7 ABRSM imum Mark ark awarded 25 24 APPLICANT NO 41275 NAME OF CANDIDATE CANDIDATE NO 5 13 23 Question問题 mark awarded 20 | 14 25 24 1. Completing the violin parts in an extract from a trio sonata by Corelli 完成柯賴里二重奏奏鳴曲選段的小提琴,, 15 13 25 23 2 Completing an extract from a piano piece by Hook 3. Writing 4 Questions on an extract from a piano sonata 15 100 完成康克鋼琴曲的選段 a melody for aither cetlo or clarinet using one of the given openings 20 15 根據指g開端為大提琴或軍簧管 作旋律 與鋼琴奏鳴曲選段相關的問題 5. Questions on a symphonic extract 與交響曲選段相關的問題 25 19 100 87 100 85 100 84 Pass及格 Merit良好 Distinction優異 NA-Not answered未 TOTAL 總分 1100 ILL.,design,product,font,

  ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC GRADE 5 THEORY EXAMINATION 樂T? ABRSH THEORY EXAMINATIONS CT 2004 ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MU AWARDED ㎜ORY EXAMINATION-OCTOBER 5 GRADB 5 第五級積分表 ro ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC AWARDED 所得分數 GRADE 5 THEORY EXAMINATION -OCTOBER 2005 B PAPER 2205 MARK AWARDED ABRSM GRADE 5 THEORY EXAMINATION FEBRUARY 2010 樂理考蒔 T PAPER 2010 - THEORY EXAMS [OCTOBER 2011 1 GRADE 5 樂理考試( 2011年10刖第五級 B Paper 2013 山 ABRSM 10 NAML uE CANDIDATE CANDIDATE NO. DIST Maxmum Mark mark warded 13 1. Addng bar-lines, rewriting notes im alto C clef, term, narming urnaments and 2. Descrihing melodic imlervals 10. Transposing passage for cleinet in A frnm concer: Isoundingl to written pitch A製覃簧管實際音高樂段,以宏諧晋高重寫 쇠al Terms, indicating part nf chromatic scale, naming key and uiving technical 14 Describing chords, identifying chur d progression, הnd rewriting d'ord in lenurl C clef 描述和弦,辨認和弦迩行,用次中音fif號重寫利弦 4 Ihl u 4 Irl Rewriting part of extrect in notes and as f hall the walu, and instrumental 半時值重寫邏段,旋樂器PA 以音符利牀 符的 Writing scale beginning on given note and writing scale according to named key sigrialure 5. 6. Wriling melody tor flute or trumpet or to given wurds 15 7. Indicating suitable progressions for twn cadences by writing chord names or 10 any other recognised symbol or by wiiting nutes on the sta 以和弦名稱戒共生認"1恕胱,爲甪吶終止 £上渣富的相聲 TOTAL3 Total required to Pass to Pass with Merit to Pass with Distinction NA- Not answered 80優岚 夘 優 太答  cik www.m,text,product,  

 

 

 


2004-2011年之間 部分學生之5級樂理優異(Distinction)考試成績: 
 


 


I hereby offer for all ages:
誠意教授各年齡


1. PIANO lessons: from complete beginners, returners, grades 1-8 to various diploma levels (ATCL/DipABRSM/LTCL/LRSM) at $500-550/hour
各級鋼琴課程: 初學,1-8級,8級以上文憑級課程: 包括 ATCL/DipABRSM at $500/h;
LTCL/LRSM at $550/hour

Dont know what repertoire to practice after passing Grade 8? You can consider ATCL, LTCL or DipABRSM as your next goal!! Grade 8 is a very very common level nowadays, so why not consider upgrading yourselves? ATCL is really easy to pass if you are well-prepared before your exam, there is no need to worry too much about it! 

教學特點:

 1. For those who are planning to take their graded or diploma exams: Before your first lesson, if you have not chosen your pieces yet, I shall assess and observe your playing first, will give you some suggestions and choose a suitable programme for you. If you are on certain pieces that you have been struggling with technical anxiety for a long period of time, I may advice you not to waste anymore time on them and change new ones that suit you better. 

 

 2.  Sight Reading and Aural Training are included as part of the lessons for Grades 1-8, I would usually start coaching these at least half a year before your real exams. PS. In case if your own piano teachers do not have time to help you with your SR or Aural parts during lessons in the last minute before your exam, I am welcome to help you out in short notice.


2. QUICK STUDY Coaching for DipABRSM/LRSM PERFORMING or TEACHING candidates in your first trials or RETAKES.  (NB. There are some secrets of success if you are still struggling with this subsection!) Usually at least 5 lessons are required before your exams.

3-4. THEORY & AURAL TRAINING lessons for complete beginners & ABRSM Grades 1-8. Non-pianists are welcome. Individual or group tuition. Assist students in preparing for their ABRSM Grade 5 or 8 examinations. 

各級樂理及聼覺測驗,歡迎學習其他樂器的學生。個別或小組教授。


5. PIANO ACCOMPANIMENT REHEARSALS for all instrumental & vocal examinations at all levels:

including ABRSM Grade 1-8, ATCL/LTCL/FTCL, DipABRSM/LRSM/FRSM. Other occassions also.

伴奏費用 Rehearsal fee :

ATCL/DipABRSM: $500/hour

LTCL/LRSM: $550-600/hour

FTCL/FRSM:$600/hour 

 

提供各級樂器聲樂考試及每年3-4月份之校際音樂節鋼琴伴奏:

包括 ABRSM 1-8級, ATCL/LTCL/FTCL, DipABRSM/LRSM/FRSM 

the annual Hong Kong School Music Festival in Febrary/March & other occasions. 

 

Fluent Cantonese & English speaker. Currently teaching several international & ESF schoolchildren. 

可以廣東話或英語授課。

 

Tuition fee: negotiable by phone 

學費:電議

 

Location of lessons: at the start of Tai Hang Road, behind the HK Central Library in the Causeway Bay/Tin Hau areas. Parking available.

 

The location is only 2- to 10 minute-walk from a number of famous schools including the True Light Middle School of HK, Queens College, Li Sing (Tai Hang) Primary School, St. Pauls Convent School, Ho Tung Secondary School, etc. Schoolchildren of these schools can consider coming for lessons or rehearsals after school.  

Home tutoring is limited to VERY ADJACENT areas including the Wun Sha Street, Tung Lo Wan Road, 1-60 Tai Hang Road, Tai Hang & Tin Hau areas. Other than these areas please refrain from asking. Thank you for your attention.

上課地點:大坑道頭, 中央圖書館後面。銅鑼灣/天后。 有訪客車位。

地點鄰近多間著名學校:包括香港真光中學,聖保祿學校, 皇仁書院,李陛 (大坑) 小學,何東中學等。學生放學後步行來只需1-10分鐘 

 可上門教授地區只限大坑道1-60號, 大坑(包括浣沙街,銅鑼灣道等屋苑,)天后區。其他免問!

如有查詢, 請電聯或whatsapp 本人 6076-7454 或電郵至 [email protected]
Welcome for enquiries by phone or whatsapp at 60767454 or by email at [email protected].

請注意:如果閣下一開始 選擇以whatsapp發問,請註明閣下想學之科目,以便本人報價。For enquiries by whatsapp, please initiate by kindly stating your required subject and level. Thank you.  


 

補充資訊
課程
鋼琴, 樂理
aural accompaniment 鋼琴伴奏
時間
星期一, 星期二, 星期三, 星期四, 星期五, 星期六, 星期日
早上, 下午
附加資料
聯絡資料
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銅鑼灣/天后
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