boy,hairstyle,child,smile,product
    TRIN da, sinirin   day,shoulder,product,smile,child
    TRINITY Examination Report COLLEGE LONDON This is not a certificate ATCL Recital (Violin), Unit 1- Violin Recital ATCL Candidate name: Centre: Hong Kong Music Centre (286) Candidate ID: 1-784133377 Programme TEN SONATA No 2 ws A map 12 tthe era. Tim Tender pense brente wasevaed wtr to ess ot character w seuwre deroti'on.but ss o strucre and th ihchg ere and unhe tue nd vased tore Cavtna was uvn to CaNnco of a virmosic approach to-He orar (必 Subthe wras Su ns wras a musi icabky stylistic and corndent/罂ies 25 130 exp res Musical Sense 28 130 Communication 2名130 Presentation Skills re content on lange of style arte exal lentノ of w as was芒iming or ttre Png am Overall attainment bands are as follows: Pass 60, Distinction 80. Total: /100 Sta Coen s Examiner signature: .. Examiner number Reviewing Examiner signature:-amem dlahh 2slslha Order number: 1-784095741)  text,font,black and white,line art,line
    STFA   violin family,violin,musical instrument,string instrument,bowed string instrument
    TRINITY Examination Report COLLEGE LONDON LTCL Recital (Violin), Unit 1 Violin Recital LTCL Candidate nam Centre: Hong Kong Music Centre (286) Candidate ID: 1-1147847839 Sonata in A.major Franck: The drama of the opening Allegretto ben moderato was often conveyed well. Some phrasing was, however, a little awkward and not all tied notes were observed as such. There were some lapses in intonation although the tone was mostly well rounded and projected. Vibrato was used to good stylistic effect. There was a sense of driving energy at the outset of the Allegro with a strong feeling for the character of the movement being communicated. The molto dolce nature of the poco plu lento section was well conveyed although some of the tone acked warmth. There was a confident demonstration of the subsequent changing moods, with effective fuocoso playing as required by the score. The improvisatory feeling of the Recitative-Fantasia was apparent. The sound was not always fully rounded and there were so text,font,document,material,
小提琴手林尚謙無論是獨奏、在室樂及樂團、音樂創作以至音樂劇的演出,都熱衷參與。
 
 
林尚謙生於香港,6歲開始習琴,師隨鄒慶先生,及後隨小提琴家張希小姐學習。其間,經常亮相於香港校際音樂節,取得佳積,獲學校頒發獎學金以示加許。此外,亦以優異成積考獲英國倫敦聖三一音樂學院小提琴演奏文憑(ATCL)小提琴高級演奏文憑(LTCL); 及後更獲該學院頒授最高演奏級別之小提琴院士(FTCL)
 

2003年,林氏獲香港演藝學院音樂學院取錄,主修小提琴演奏,並受教於名小提琴家范丁先生門下。亦跟隨Professor Machael Ma學習小提琴演奏技巧,及梁建楓先生與王磊教授學習室樂演奏。此外,林氏亦熱衷於管弦樂團指揮,並獲選跟隨演藝交響樂團指揮Professor Alan Cumberland學習指揮。在校其間,經常參與獨奏、室樂及作曲系的演出。並且有機會出席國際著名小堤琴家如Carl Pini、Michele Walsh及Makhail Tsinman等之大師班,以及參與香港演藝學院交響樂團之演出,並跟不少著名指揮家如Edo de Waart、Travor Pinnock、Takuo Yuasa及Francois-Xavier Roth等合作。


2005年,林尚謙取得香港演藝學院小提琴演奏文憑,並於2008年獲該學院頒授音樂(榮譽)學士
 

此外,林氏的音樂領域隨在古典音樂以外,亦經常獲邀出席演唱會、音樂劇及購物商塲等,擔任獨奏及伴奏,以及唱片錄音等等。
 
 
林氏現任香港專業教育學院客席講師,亦曾任教於姚珏天才音樂學院,銅鑼灣維多利亞國際幼稚園,港青基信國際學校、基督教女青年會丘佐榮中學、國際基督教優質音樂中學暨小學、深井天主教小學、香港浸信會聯會小學、博愛醫院歷屆總理聯誼會鄭任安夫人千禧小學、中華基督教會拔臣小學、順德聯誼總會伍冕端小學、馬錦明慈善基金馬可賓紀念中學、浸信會永隆中學、仁濟醫院第二中學、柏斯琴行及通利琴行等。
 
學生多次於比賽中獲獎,並獲多所著名音樂學院取錄,包括香港演藝學院,及香港浸會大學等!
 

上課地點: 深井,荃灣,九龍站,中半山
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星期三, 星期四, 星期五, 星期六, 星期日, 公眾假期, 其他, 星期一, 星期二
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